This authoritative history of feminist literary criticism charts the development of the practice from the middle ages to the present.

This book asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change.

Twentieth-Century Crime Fiction is an illuminating and challenging critical study of this ever popular genre. Gill Plain uses contemporary theories of gender and sexuality to challenge the dominant perception of crime fiction as a conservative genre.

This book asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change.