An exploration of Samuel Beckett's drama, using the criteria that ensue from the works themselves, with particular attention given to the relationship between the medium and the message. This fully revised second edition includes chapters on the radioplays and film and television scripts.

A discussion of the Bible's resemblance to theatre, with the author arguing that the fear the ancient Hebrews felt for theatre was based on its highly creative potential as a rival Creator, not its gaudy aspects. God, in theatrical terms, is The Great Offstage Being .

A discussion of the Bible's resemblance to theatre, with the author arguing that the fear the ancient Hebrews felt for theatre was based on its highly creative potential as a rival Creator, not its gaudy aspects. God, in theatrical terms, is The Great Offstage Being .

This volume focuses on stage design and dramatic space, using the notion of offstage - characterized as an active, present in-abstentia, universal, highly creative and medium-orientated ambience - to offer a link between the Canadian and Israeli theatre traditions.

An exploration of Samuel Beckett's drama, using the criteria that ensue from the works themselves, with particular attention given to the relationship between the medium and the message. This fully revised second edition includes chapters on the radioplays and film and television scripts.

This anthology of essays focuses on the interrelationships between myth, religion and theatre. Each chapter examines different interactions between the Holy Scriptures not only of Islam, Christianity and Judaism, but also of other sacred traditions.