Peter Ackroyd: the Ludic and Labyrinthine Text offers the reader the first major critical study in English of one of Britain's most inventive, playful and significant writers of the twentieth century. Attending to the contours of Ackroyd's rhetorical strategies, narrative structures and his self-conscious borrowing from other writers, this study playfully yet rigorously engages with questions of literary stylistics, pastiche and parody, humour and camp sensibility, memory and temporality, personal and national identity and, finally, the importance of London to Ackroyd's writing. Rejecting the postmodern label which previous critics have attached to the author, Jeremy Gibson and Julian Wolfreys depart from this understanding of Peter Ackroyd's work, to provide a thought-provoking consideration of all his writings to date, from his poetry and critical thought, to his novels and biographies, including Milton in America and The Life of Thomas More. This will be an indispensable study for anyone interested in Ackroyd, in literary stylistics, and in the condition of the novel at the end of the twentieth century.
| Limba | Engleza |
| Cuprins | Abbreviations Foreword by Peter Nichols Acknowledgements Introduction: The 'Ludicrous' Text of Peter Ackroyd 'A Tiny Light/Seen in the Mind's Eye as a Phoneme': The Poetry 'A Bit of a Game': The Styles of Peter Ackroyd I: The Great Fire of London, The Last Testament of Oscar Wilde, Hawksmoor 'A Bit of a Game': The Styles of Peter Ackroyd II: Chatterton, English Music, First Light, Milton in America 'Endless Variety': Writing the City in the Biographies, The House of Doctor Dee, and Dan Leno and the Limehouse Golem Three Interviews with Peter Ackroyd: 26th August, 1989, 4th January, 1995 and 21st December, 1997 Works Cited Index |
| Data Publicarii | 7 April 00 |
| Format | Hardback |
| Paginare | 328 |
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