This text looks at the role of art in the Indian subcontinent and then analyzes early art from the Indus civilization (2000 BC) to the time of Buddha (c.5000 BC). The Mauryan emperor Ashoka (4th century BC), was an important player in the dissemination of Buddhism, using art to this end. A stable economic base and the rise of a mercantile community were important in Buddhism's growth. Inscriptions show that the contributions to pay for art came from housewives, householders, merchants, traders and a range of other common people. The vibrant narrative tradition displayed in this art is analyzed. The text goes on to examine the development of the Buddha image and the art of later esoteric Buddhism; the Islamic aesthetic; the art of the Mughal empire; the art and architecture of Rajasthan; and British imperial art and architecture.
| Cuprins | Introduction - mountains, rivers, people; experiencing art - the viewer, the art, the artist; bricks, seals and stone - into written history; stories in stone - popular appeal of early Buddhist art; after Alexander - Indo-Greek art and the Buddha image; into the mountainside - cave monasteries and cave temples; fierce deities and cosmic couples - esoteric Buddhist imagery; seeing the divine - image and temple; sacred and profane - the Nagara Temple; a riddle in stone - Pallava Mamallapuram; holy ground - Dravida Chola temples; God in the image of man - expanded temples and festival bronzes; linear abstractions - art and the sultans of India; cosmopolitan splendour - city of victory; visions of paradise - the luxury of Mughal art; palaces and pavilions - chivalry of Rajput Mewar; Rome of the tropics - churches of Portuguese Goa; jewel in the crown - arts of the British Raj; epilogue - art in a secular democracy. |
| Data Publicarii | 1 March 98 |
| Format | Paperback |
| Paginare | 448 |
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